In my practice, I use abstract painting as a tool for the visual analysis of inner experience, focusing on the phenomenology of feeling and perception.
I perceive the painted surface as a stage where a dialogue unfolds between the visible and the invisible, the conscious and the unconscious.
The image loses its function as a reflection and acquires the status of a statement — a form through which the subject articulates presence, absence, and inner duality.
In my recent projects, I turn to space as a symbol of desire, loss, and the impossibility of complete identification, drawing on the ideas of Jacques Lacan.
My abstract compositions are “in-between places”: organic forms dissolve, giving way to fluid structures of post-digital reality. These images create an illusion of recognition, yet they evade final interpretation.
I invite the viewer into an experience of encountering forms in a state of constant transformation — forms that simultaneously emerge and vanish, like subtle emotional states that resist rational comprehension.
This is painting in which the impossibility of fixation becomes a mode of existence.